STAND4LOVE
Each one of us has the right to liberty, justice and the pursuit of happiness. Everyone has the right to love and be loved in return. GAY, LESBIAN, STRAIGHT, TRANSGENDERED or BISEXUAL…..Sexual Orientation or Race shouldn’t Matter. The FREEDOM to LOVE is fundamental as the FREEDOM to BREATHE. Two adults should have the right to love without discrimination and intolerance. Marriage should be available to any loving couple. Let’s end hatred and discrimination now. Stand UP and be counted!!!
STAND 4 LOVE is an awareness charity project to promote the visibility and rights of Gay, Lesbian, Bisexual and Straight loving couples to have the right to marry and be recognized by the law across the world. It will be a picture campaign in Second Life to spread awareness and promote equality and tolerance. Each participant will take a picture of themselves in a plain white or black background then add the Stand4Love Logo. They will then put their message of support as well as their SL name and/or Title/Business (Optional) in the picture.
stand4love.wordpress.com/how-to-help/
mercoledì 20 giugno 2012
venerdì 15 giugno 2012
Working with a photographer
Photographers, the good ones at least, are artists, so usually they
don’t live on the same planet of us
mortals, they live floating in a third dimension and, if we are lucky, they land on earth just the time to make our shots, if we are
not so lucky they will take our photos from the sidereal space where their busy
minds reside. In that last case some problem of communication could arise.
Then as models, and well trained ones, is our duty to pull their
jacket (or their skirt) to bring them on planet earth from their
artistic vision located on Mars or its immediate surroundings.
Our duty is to be full of good sense
and try to build a good relation with the photographers we are working
with.
That because an attentive, expert and well trained
eye can immediately sense by the
result of the image if there was a good relation between the two professionals
working together.
And that has nothing to do with the skills of the photographer or the
skills of the model. It is an hint of attitude and pure chemistry.
In fact the agencies, the jury of a contest and the chief editor of a magazine can tell
you at first sight if a photo came out “well” or came out “not-so-good”. If the two were able to build
a good professional relation aimed to
the success of the picture or if they
simple packed a decent artisanal product.
And that not because the pose or the light or the styling, but because
of that “thing” that “special speciality” which nobody-can-exactly-define but
everyone (agencies, magazines, designers, photographers, fellow models,
public of a show, reader of a magazine) is
looking for .
We models when work with a photographer have the professional duty to give definition and life to something
which has no name and body and that none, not even the most experienced
photographer, will be ever able to explain you. But everyone will expect from
you to express.
Moreover the artistic outcome can easily translate in the overall judgement about you and your attitude, if you are a
model easy to work with, an expressive one, one who can be called again.
In few words a good print model.
I know it is not fair but, without any doubt, life is not fair at all !
Because, and none of us dares to think something different, unless the
photographer has really a bad character and so lacking of communicative
abilities or he is really a bad professional
alas poorly technically skilled, usually
the responsibility of the good result of the teamwork is on the model.
First, because good photographers are really rare and far more precious,
for designers, agencies and magazines
than average and even than top models, secondly, because if the photographer has a good
relation with a “N“ number of models and not with you, usually is not the photographer’s fault, it is yours.
To build a good relation with the photographer you work with is
something different that to have an average good relation with someone you
occasionally work with, because he/she
will be the one who will bring your image from
your own private to the public.
The photographer is the one that with his work will translate your inner
world into a public image aimed to give emotion.
The photographer is the mean to realize successfully your public printed image, is the bridge between your individual
sphere to the collective eye.
And I don’t mean only the display of the dress you are wearing, the
right angle for the right pose, because that is in the professional luggage of
every good artisan of the camera.
I mean the patience and the will
to wait that particular light of your eyes, that glimpse, that moving of
your head, that particular floating of your dress, that line of your hair, that move of eyelashes which can
transform a portrait or a simple
commercial for a shop in a little “work
of art”.
Of course, a part some general rule which pertains more to the good training of a model, the
overall good education and the right
attitude, the case in which you work
with a photographer “working for yourself
“ is different from the case in which you work with a photographer “for a designer, a magazine, or for the photographer itself ”.
Meaning the first, the case when you booked a photo session with a
photographer you usually picked among the others to have one or more photos for yourself (portfolio, contest , portrait and similar), and the second case when you
work with a photographer (that usually you didn’t choose) aimed to make vendors
for a store, photo for a magazine or for the photographer’s use and other aims that are not your exclusive
personal use.
Anyway there are common rules that pertain to both the cases and make
the difference between a professional model and a simply good looking girl with some poses and a few decent dresses
in her inventory.
So try to always arrive there with the outfits selected and styled
exactly like for a fashion show so to
allow yourself to change quickly when required. If the photo session is outdoor or you wear a
particular difficult dress, jewels or hair try to select in advance some
appropriate poses and have them ready in a HUD.
Photographers don’t read your mind and don’t know how your dress, your
jewels and your hair will interact with a certain pose, so it is
your job to present yourself in the best way and not compel both to spend hours
after the search of a suitable pose.
Make of punctuality your honour point and be always there on time to not delay the photographer’s agenda.
Leave out the door any diva attitude and be ready to politely explain or
even discuss, if necessary, what you are
able to discuss, alas things that are in your professional and experience
luggage. But please avoid to discuss
his technical choices and accept instead
to be guided with humbleness. You will
gain from it.
You can be the most flattered and competent of the top models, a styling proficient, the icon
of the crowds and the queen of the runways in all known and unknown grids, but
if the skin/hair /dress/whatever you
chose for the shot doesn’t match with
the item to advertise or with that
background you like a lot or
with the light required for that shot (and I sure you a bad styling moment can happen to everyone
in every moment ) ..... it doesn’t match
.....full stop !! There is very little to
say more. It is not professional and utterly useless to further discuss.
We model have so much to learn by good photographers, so instead to waste energies making useless
polemic about the tone of a skin, the colour of the hair or the allure
of an impossible fashion accessory we should stay cool, attentive and silent
and “ steal “ some professional
secret about photography while we are there. At least that has always
been my attitude. I try to be a sponge while I work with really good
professionals.
And mind you if you are stubborn about one of the above issues and the photographer, in the case the photo
is for your exclusive use, at last (often exhausted) stops to discuss and does
as you want, it doesn’t mean you have won but just that you are not worth any
further loss of time.
Be ready to tweak your shape to meet the exigency of particular garments
, or edit your accessories in unexpected ways when required,
because to edit prim attachments for photos is very different
than edit for runway, it depends by the angle of the photo and the eye of the
photographer.
Do not leave your gracious
puppet there on the pose stand going browsing elsewhere, furiously sending
IMs around or worse going dinner or
making something else. Stay there and cooperate. Never forget it is a team
work.
Of course when we book a photo
session for ourselves ( and we pay for it) we are the “product to sell” so to be the star of the photo we must be able
to clearly explain, if we like or need to do so, what we are looking for, what must be the
overall feeling of the photo, what is the photo aimed for (contest, casting ,
portfolio etc.).
We have the right and the duty to
be clear, and more explicative and competent we are, easier will be for the
photographer to follow us, to channel his creativity towards our needs and
better will be the outcome.
We have the right to suggest a pose, or refuse another if we don’t feel
it is suitable or worse we find it not
appropriate, we have the right to choose, suggest or refuse a background
or the setting if it is not what we are looking for and , if we have the competence (but only in
that case), we can even spend a word about
the lights and the angle.
But I must say in my experience usually good photographers always like
to discuss and cooperate with the model they are working with, and if the model
is really a good one and the photographer is a smart one the work can even become an occasion of professional
growth for both . As should be in all teams.
So the matter after all is only to make the right choice of photographer,
and a choice is good when it is aware. So try to look their works around, take
detailed infos about their availability, their reliability and the time
and effort they can/want put in the work before to book one.
Another complete, different issue is when for a chance, a not
controllable event , a mistake of
evaluation we work with a-not-so-good photographer and we are not happy with
the work.
Now the concept of good and bad is usually very relative, so to be more
precise let say a photographer we don’t
share the vision or that we are not in
syntony with.
That is a very delicate moment because not only the work but even the
whole relation can take a bad turn or even unpleasant consequences.
The dissent must be always polite, polemic must be avoided in any
case, and bear in mind none can go
beyond their limits, so specially if you
chose the photographer by yourself maybe
the mistake was yours, maybe you
were not accurate about the understanding of his style and your expectations maybe too high or
divergent compared to his actual possibilities, tastes and skills.
There is a basic principle borrowed from the Ancient Roman Law and it is “ad impossibilia nemo tenetur” (none can be compelled to do not possible
things) and that is even more true when we
think to things even vaguely related to
the concept of creativity and art.
In short if a photographer is basically a not –so- good- one, or one with a style
completely different from your desiderata, it is impossible he will become suddenly good
or compatible just for us and our photos
!
So relax and make a better choice the next time, experience is precious
even in that . J
Namaste
Etichette:
arialee miles,
diram,
ramblings
venerdì 8 giugno 2012
farewell smile
Will you regret the time we had
while you drive along your dreams?
Will I regret the words I didn't tell you?
So many questions left unresolved
lost in a gesture pale in background.
I walk along the desert shoreline,
folding our past story like an origami bird
that flies off singing its end
a lonely voice in this last blast of wind.
And I look a gust twirling the sand,
a plastic bag attempting a flight
stubborn continues its useless journey
moving its wings from nothing to nowhere,
gliding and falling down just near my hopes .
This leaden daybreak embraces my thoughts
transporting them with the rhythm of the tides.
I lose my glance behind the horizon line
when I remember your farewell smile,
and I understand that I won’t follow you.
Etichette:
arialee miles,
poetry
Iscriviti a:
Post (Atom)